Mia was created on 7/3 of 2002 via injection of Plasmatic Energetic Mutation into the shell of the animatronic. We knew what we were getting ourselves into as we've done this with the other animatronics, and yet we didn't account for how violent she would be. -Robert Higgman

She caused a facility lockdown after mutating and growing spikes along her melted back, attacking anybody that was nearby. Gras put in motion to pump in air stimulants into the room until she finally became docile. She caused two casualities and multiple injuries during this period. The stimulants only seem to put her in this state where she wasn't exactly attacking, yet was attempting to make herself look big and threatening. -Robert Higgman

When we finally got her on the VSS (visual stimulant screen), she would start to do only something we could describe as "throwing a fit." Her body, if you could even call it that, would start to vibrate and pound on the walls, demanding more visual stimulants. It's gotten so bad that we had to hire a nighttime security guard just for them to make sure her VSS was turned on. He said it felt like monitoring a spoiled brat. -Patrick Gras

Teaching her our language was a easier process, she was a quick learner, but she kept repeating words that she herself was not familiar with. We haven't exposed her to any dialogue except for basic sentences, and yet she was repeating words only we were familiar with. I concluded she's listening to us. I tried bringing this up with Robert, and yet he scoffed at me, talking about how impossible it was for her to do so, after all, none of the others had this ability. -Patrick Gras

After months of VSS, she started to cohorently form a body. It was in the shape of Mia, from the cartoon. However, it was only a silhouette of her, she constantly moved where her eyes, mouths, and limbs were. An x-ray of her body showed at least a decent skeletal formation. -Robert Higgman

We found out about her vocal range, it's nothing we ever seen before. While the others were stuck with to mimicking their jukeboxes and cartoon recordings of their voices, she surprisingly had a deeper, grudgy, more masculine voice range, all the way up to a feminine, high pitch voice. -Patrick Gras

She began to be aware of the others. The more she spoke fluently, the more questions she asked to both me, and Patrick. I'm only keeping track of anythign relating to her body, so far it's starting to leave various amount of organs out every now and then. Patrick asked her if she feels any pain when leaving behind these organs, she responded with a no. He then asked if these organs in specific were discomforting her in a way, she responded with a yes. Looking at thtese organs more specifically, they have some sort of new hard organic material on them. That material in speciifc is seemingly conducting electricity. I'm running through the thoughts in my head, she may have just created a biological electric organ using the endoskeleton parts from the animatronic. -Robert Higgman

The best way I could describe the group right now is that they've grown to teenagers at this point. Their forms are still shifting around, but it's gotten stable enough to the point they could walk, and talk, with varying results. We have given all of our girls upgraded cells, more room for them to be subjected to stimulation, such as the VSS being disgguised as a TV, a instrument, a couple of toys, a arcade cabinet, and various amounts of posters relating to their personality. It seems also that they never leave any droppings, any food is simply processed into energy. -Patrick Gras

I've ran a social experiment with two of them, this is the first time Rebecca and Mia are meeting eachother face to face. I'm hoping for the best.